THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.
◆ Print / Tracked Delivery - 4-5 business days (Approx.)
This premium art print is made using a Giclée process using official UV (pigment based) inks. These UV inks contain enhanced light stabilisers; offering far more durability than dye-based inks which under proper care will keep your piece of art looking fantastic for 100+ years.
? MATT 200gsm - Fine Art Matt - is a fine art paper. A premium-quality heavyweight museum-quality paper with a smooth, clean finish.
? MATT 310gsm - Hahnemuhle German Etching - is a premium paper. A heavy-duty paper with a textured finish, the velvety matt surface is optimised for high-contrast prints.
? GLOSS 240gsm - Lustre Photo Paper -A premium photographic paper with a satin lustre finish. The lustre finish provides a subtle pearl-like texture. Supporting deeper colour saturation than matt papers, this paper produces impressive colour depth and strikingly intense blacks.
? GLOSS 260gsm - Hahnemuhle Photo Lustre -This specialist photo paper has a semi-gloss, velvet finish and guarantees long-lasting, fade-resistant prints. The paper has deeper colour saturation than matt paper, is thicker than traditional consumer papers and is more resistant to fingerprints and smudges.
This print comes with a 2mm White Mount - All mounts are 'conservation' grade, FSC certified, 100% acid free, and will not discolour or fade with age.
Our box frames are milled from solid ash, hand stained and finished with a specialist wax to accentuate the grain. Made-to-order by specialist picture framers. All framed prints are delivered fully strung, ready for hanging.
? Float Glass - is the industry standard for most sellers of framed prints.
? Acrylic Plexiglass - provides increased UV protection, is extremely robust and offers less glare than float glass.
? Tru Vue Glaze - provides the clearest possible glazing option. The glaze has very low reflective properties, appearing as though no glass is present in the picture.
All sizes are approximate.
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When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via firstname.lastname@example.org who will provide you with sample images of the original before you place your order.
Allée of Chestnut Trees
In the 1860's, Sisley met Pissarro, Monet, Bazille, and Renoir, with whom he brought forth the practice of painting directly from nature. Exhibiting with the Impressionists, as they were formally named at the time of their independent exhibition in Paris in 1874, Sisley enjoyed short-lived but considerable success during the 1870's.?
While residing in Sèvres with his wife and children, Sisley painted this view of a curved pathway lined with chestnut trees in full bloom. The pathway follows a bend in the Seine, lending the viewer access across the pictorial space. The weather is pleasant, the sky a crisp pale blue, and the grass bending softly in the wind. Unlike other Impressionists who returned to their studios in their later careers, Sisley remained outdoors, painting from his sketches rendered in the countryside.
Information about this piece credited to the Metropolitan Museum of Art: www.metmuseum.org
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, found that Impressionism fulfilled his artistic needs.
Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterized by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.
Information about this piece credited to Google Arts & Culture: artsandculture.google.com