The Road from Moret to Saint-Mammès
Alfred Sisley
Box Framed Print


The Road from Moret to Saint-Mammès
Box Framed Print
£64.99

Add to Cart:
  • Model:
    [10606_BOX]
  • Artist: Alfred Sisley

THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.

Lead Times:
• Print / Tracked Delivery - 4-5 business days (Approx.)

INKS:
This premium art print is made using a Giclée process using official UV (pigment based) inks. These UV inks contain enhanced light stabilisers; offering far more durability than dye-based inks which under proper care will keep your piece of art looking fantastic for 100+ years.

PAPER:
MATT 200gsm - Fine Art Matt - is a fine art paper. A premium-quality heavyweight museum-quality paper with a smooth, clean finish.
MATT 310gsm - Hahnemuhle German Etching - is a premium paper. A heavy-duty paper with a textured finish, the velvety matt surface is optimised for high-contrast prints. 
GLOSS 240gsm - Lustre Photo Paper -A premium photographic paper with a satin lustre finish. The lustre finish provides a subtle pearl-like texture. Supporting deeper colour saturation than matt papers, this paper produces impressive colour depth and strikingly intense blacks.
GLOSS 260gsm - Hahnemuhle Photo Lustre -This specialist photo paper has a semi-gloss, velvet finish and guarantees long-lasting, fade-resistant prints. The paper has deeper colour saturation than matt paper, is thicker than traditional consumer papers and is more resistant to fingerprints and smudges.

MOUNT:
This print comes with a 2mm White Mount - All mounts are 'conservation' grade, FSC certified, 100% acid free, and will not discolour or fade with age.

FRAME:
Our box frames are milled from solid ash, hand stained and finished with a specialist wax to accentuate the grain. Made-to-order by specialist picture framers. All framed prints are delivered fully strung, ready for hanging.

GLASS:
• Float Glass - is the industry standard for most sellers of framed prints.
• Acrylic Plexiglass - provides increased UV protection, is extremely robust and offers less glare than float glass.
Tru Vue Glaze - provides the clearest possible glazing option. The glaze has very low reflective properties, appearing as though no glass is present in the picture.

IMAGE:
All sizes are approximate.
All images contained on this website are copyrighted property of their respective owners. All rights reserved.

When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.

 

Painting:
The Road from Moret to Saint-Mammès

Artist:
Alfred Sisley

Date:
1883-85

A pencil drawing after this picture appears near the beginning of a sketchbook that Sisley kept as a record of his work from November 1883 to the summer of 1885 (Musée du Louvre, Paris). The drawing bears an inscription that identifies the site as the road from Moret to Sainte-Mammès, which runs along the Loing River; the water is just visible at lower left. Sisley established himself in this area, on the edge of the Forest of Fontainebleau, in 1880, and was captivated by its "quite picturesque views". He settled permanently in Moret in 1889.

Metropolitan Museum of Art: www.metmuseum.org

Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, found that Impressionism fulfilled his artistic needs.

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterized by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.

Google Arts & Culture: artsandculture.google.com