THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.

LEAD TIMES:
• Print / FREE Tracked Delivery - 4-5 business days (Approx.)

CANVAS MATERIAL:
Our framed canvas prints are produced on a white 100% cotton canvas (410gsm) meeting the highest standards regarding density, colour gamut, colour graduation and image sharpness. Each canvas is produced using a 12 colour giclée fine art printing process and hand finished by one of the UK's most experienced canvas framing teams. Each canvas comes stretched and ready to hang made from the finest quality European kiln-dried knotless pine.

COATING:
All our canvas prints are finished with a matt varnish coating. This help to preserve the integrity of your canvas image, protecting against airborne dirt/dust, sun fade, abrasions and fingerprints.

FLOAT FRAME:
For our framed canvas we use a float frame which creates aunique and original work of art. The thin frame sits approximately 5mm from the edge of the canvas helping create a floating border. All frames are delivered fully strung, ready for hanging.

IMAGE:
All sizes are approximate.
All images contained on this website are copyrighted property of their respective owners. All rights reserved.

When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.

ABOUT THE ART

Painting:
Bather in the Woods

Artist:
Camille Pissarro

Date:
1895

In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude peasant women bathing, even though he foresaw difficulties in engaging models in rural éragny. None were completed until 1894, and Pissarro continued to paint variations on the theme through 1896. This picture falls midway in the project. Pissarro's approach reflects the continuing influence of divisionist technique, but more naturalistic tendencies emerge in his attempts to capture the delicate fall of light over the grassy bank and the woman's back. Her pose recurs in two studies of a clothed model painted the same year.

Information about this piece credited to the The Metropolitan Museum of Art: www.metmuseum.org