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All sizes are approximate.
LEAD TIMES:
• Print / FREE Tracked Delivery - 4-5 business days (Approx.)
CANVAS MATERIAL:
Our framed canvas prints are produced on a white 100% cotton canvas (410gsm) meeting the highest standards regarding density, colour gamut, colour graduation and image sharpness. Each canvas is produced using a 12 colour giclée fine art printing process and hand finished by one of the UK's most experienced canvas framing teams. Each canvas comes stretched and ready to hang made from the finest quality European kiln-dried knotless pine.
COATING:
All our canvas prints are finished with a matt varnish coating. This help to preserve the integrity of your canvas image, protecting against airborne dirt/dust, sun fade, abrasions and fingerprints.
FLOAT FRAME:
For our framed canvas we use a float frame which creates aunique and original work of art. The thin frame sits approximately 5mm from the edge of the canvas helping create a floating border. All frames are delivered fully strung, ready for hanging.
IMAGE:
All sizes are approximate.
All images contained on this website are copyrighted property of their respective owners. All rights reserved.
When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.
Painting:
June Morning in Saint-Mammès
Artist:
Alfred Sisley
Date:
1884
In the 1880s, Sisley shifted his base to the area along the Loing River, a tributary of the Seine, southeast of Paris. Saint-Mammès is a quiet village at the junction of the Loing and the Seine. The river on the left side of this painting is the Seine. The row of poplars is on its left bank. On the right bank (on the left, in the painting) is the hill on which the village of La Celle is located. There is a bridge over the river, upstream (to the upper right), but it is not included in this painting. Sisley has rendered the leaves of the poplar trees individually, as though to express the effects of light and shadow. The blue shadows of the buildings fall boldly across the road on the embankment. The row of poplars on its left and the buildings on the right converge in the right rear of this painting, in a composition that Sisley was fond of using. This tranquil scene communicates the invigorating briskness of a June morning.
Information about this piece credited to Google Arts & Culture: artsandculture.google.com
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, found that Impressionism fulfilled his artistic needs.
Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterized by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.
Information about this piece credited to Google Arts & Culture: artsandculture.google.com
