THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.

LEAD TIMES:
• Print + FREE Tracked Delivery - 4 to 5 business days (Approx.)

CANVAS MATERIAL:
Our premium canvas prints are produced on a white 100% cotton canvas (410gsm) meeting the highest standards regarding density, colour gamut, colour graduation and image sharpness. Each canvas is produced using a 12 colour giclée fine art printing process and hand finished by one of the UK's most experienced canvas framing teams. Each canvas is stretched over a frame and ready to hang. Frames are made from the finest quality European kiln-dried knotless pine. Hanging kit is provided.

COATING:
All our canvas prints are finished with a matt varnish coating. This help to preserve the integrity of your canvas image, protecting against airborne dirt/dust, sun fade, abrasions and fingerprints.

CANVAS EDGE:
• Mirror - We mirror the last 2 inches of the image and wrap this around the canvas. No part of the original image is lost.
• White - White edges and the image stops at the corner of the frame.
• Black - Black edges and the image stops at the corner of the frame.
NOTE: look product images to see examples.

PRODUCT IMAGES:
All sizes are approximate.
All images contained on this website are copyrighted property of their respective owners. All rights reserved.

When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.

Painting:
Allée of Chestnut Trees

Artist:
Alfred Sisley

Date:
1878

In the 1860's, Sisley met Pissarro, Monet, Bazille, and Renoir, with whom he brought forth the practice of painting directly from nature. Exhibiting with the Impressionists, as they were formally named at the time of their independent exhibition in Paris in 1874, Sisley enjoyed short-lived but considerable success during the 1870's.?

While residing in Sèvres with his wife and children, Sisley painted this view of a curved pathway lined with chestnut trees in full bloom. The pathway follows a bend in the Seine, lending the viewer access across the pictorial space. The weather is pleasant, the sky a crisp pale blue, and the grass bending softly in the wind. Unlike other Impressionists who returned to their studios in their later careers, Sisley remained outdoors, painting from his sketches rendered in the countryside.

Information about this piece credited to the Metropolitan Museum of Art: www.metmuseum.org

Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, found that Impressionism fulfilled his artistic needs.

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterized by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.

Information about this piece credited to Google Arts & Culture: artsandculture.google.com