THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.
LEAD TIMES:
• Print + FREE Tracked Delivery - 4 to 5 business days (Approx.)
CANVAS MATERIAL:
Our premium canvas prints are produced on a white 100% cotton canvas (410gsm) meeting the highest standards regarding density, colour gamut, colour graduation and image sharpness. Each canvas is produced using a 12 colour giclée fine art printing process and hand finished by one of the UK's most experienced canvas framing teams. Each canvas is stretched over a frame and ready to hang. Frames are made from the finest quality European kiln-dried knotless pine. Hanging kit is provided.
COATING:
All our canvas prints are finished with a matt varnish coating. This help to preserve the integrity of your canvas image, protecting against airborne dirt/dust, sun fade, abrasions and fingerprints.
CANVAS EDGE:
• Mirror - We mirror the last 2 inches of the image and wrap this around the canvas. No part of the original image is lost.
• White - White edges and the image stops at the corner of the frame.
• Black - Black edges and the image stops at the corner of the frame.
NOTE: look product images to see examples.
PRODUCT IMAGES:
All sizes are approximate.
All images contained on this website are copyrighted property of their respective owners. All rights reserved.
When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.
Painting:
Boating
Artist:
édouard Manet
Date:
1874
Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where?Boating was painted. Beyond adopting the lighter touch and palette of his younger Impressionist colleagues, Manet exploits the broad planes of color and strong diagonals of Japanese prints to give inimitable form to this scene of outdoor leisure. Rodolphe Leenhoff, the artist's brother-in-law, is thought to have posed for the sailor but the identity of the woman is uncertain.
Shown in the Salon of 1879,?Boating?was deemed "the last word in painting" by Mary Cassatt, who recommended the acquisition to the New York collectors Louisine and H.O. Havemeyer.
The Metropolitan Museum of Art
édouard Manet was born in Paris on 23 January 1832, in the ancestral hÔtel particulier (mansion) on the rue des Petits Augustins (now rue Bonaparte) to an affluent and well-connected family. His mother, Eugénie-Desirée Fournier, was the daughter of a diplomat and goddaughter of the Swedish crown prince Charles Bernadotte, from whom the Swedish monarchs are descended. His father, Auguste Manet, was a French judge who expected édouard to pursue a career in law. His uncle, Edmond Fournier, encouraged him to pursue painting and took young Manet to the Louvre. In 1845, at the advice of his uncle, Manet enrolled in a special course of drawing where he met Antonin Proust, future Minister of Fine Arts and subsequent lifelong friend.
In 1856, Manet opened a studio. His style in this period was characterized by loose brush strokes, simplification of details and the suppression of transitional tones. Adopting the current style of realism initiated by Gustave Courbet, he painted The Absinthe Drinker (1858?59) and other contemporary subjects such as beggars, singers, Gypsies, people in cafés, and bullfights. After his early career, he rarely painted religious, mythological, or historical subjects - examples include his Christ Mocked, now in the Art Institute of Chicago, and Christ with Angels, in the Metropolitan Museum of Art, New York. Manet had two canvases accepted at the Salon in 1861. A portrait of his mother and father, who at the time was paralysed and robbed of speech by a stroke, was ill-received by critics. The other, The Spanish Singer, was admired by Theophile Gautier, and placed in a more conspicuous location as a result of its popularity with Salon-goers. Manet's work, which appeared "slightly slapdash" when compared with the meticulous style of so many other Salon paintings, intrigued some young artists. The Spanish Singer, painted in a "strange new fashion caused many painters' eyes to open and their jaws to drop.
Wikipedia
