Study for "A Sunday on La Grande Jatte"
Georges Seurat
Premium Canvas


Study for "A Sunday on La Grande Jatte"
Premium Canvas
£53.99

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  • Model:
    [10501_PCAN]
  • Artist: Georges Seurat

THIS PRODUCT IS MADE-TO-ORDER
All sizes are approximate.

LEAD TIMES:
• Print + FREE Tracked Delivery - 4 to 5 business days (Approx.)

CANVAS MATERIAL:
Our premium canvas prints are produced on a white 100% cotton canvas (410gsm) meeting the highest standards regarding density, colour gamut, colour graduation and image sharpness. Each canvas is produced using a 12 colour giclée fine art printing process and hand finished by one of the UK's most experienced canvas framing teams. Each canvas is stretched over a frame and ready to hang. Frames are made from the finest quality European kiln-dried knotless pine. Hanging kit is provided.

COATING:
All our canvas prints are finished with a matt varnish coating. This help to preserve the integrity of your canvas image, protecting against airborne dirt/dust, sun fade, abrasions and fingerprints.

CANVAS EDGE:
Mirror - We mirror the last 2 inches of the image and wrap this around the canvas. No part of the original image is lost.
• White - White edges and the image stops at the corner of the frame.
• Black - Black edges and the image stops at the corner of the frame.
NOTE: look product images to see examples.

PRODUCT IMAGES:
All sizes are approximate.
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When necessary we digitally enhance the colours from the original, sometimes to restore them back to their former glory and other times to leave you with a print that pops with colour. Certain images will also be cropped and resized to fit their intended media. If you require your print to resemble the original as closely as possible then we would be more than happy to oblige. Contact our team via sales@smartfurnish.co.uk who will provide you with sample images of the original before you place your order.

 

ABOUT THE ART

Painting:
Study for "A Sunday on La Grande Jatte"

Artist:
Georges Seurat

Date:
1884

This is Seurat's final study for his monumental painting of Parisians at leisure on an island in the Seine (Art Institute of Chicago). Contrasting pigments are woven together with small, patchy brushstrokes, whereas in the mural-sized park scene - which debuted two years later at the 1886 Impressionist exhibition - Seurat used tighter, dot-like dabs of paint, a technique which came to be known as Pointillism (from the French word?point, or dot). He preferred the term Divisionism - the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer.

Information about this piece credited to the The Metropolitan Museum of Art: www.metmuseum.org